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Informing the turntable music economy the dichotic object represents a 1 ½ hour long performance. Each recorded track should be informed by the fact that it will be utilized within a 1 ½ hour set; this is suggested by the Iconic Prism dichotic textual object. (Dichotomy the branching off into parts.) The aestheticism of the dichotic object suggests that beauty or the ideal grows or branches via production.
Dissecting the dichotic object beauty is seen to come from the mind of the performing Player/DJ.
The installation propagates the view/truth that a text is part of our nature. Media production should be thought of as informing a part of every mans nature, diegetically. All dialectics (the relationship between all characters in the Iconic Prism) are diegetically processed by the audience.
It is beauty that drives one to represent and the beautiful object will sustain an atmosphere.
A text can represent a universal influence upon society, methodologically. We should represent our spirit with media production as trees and shells atavistically represent their spiritual growth.
Genius is produced for society to become genius. Objectivity represents a focus for genius. Describing the object must be the most interesting thing in this world, the skilled mind will interpret growth of the object linguistically for society. Harmoniously production will cool the masses, socialism interpreting evolution, or progress, for the masses. Optimum reproduction is the philosophy of objectivity supporting the influence of texts in the preparation of society. Beauty will ask for the self to be sacrificed in favor of the ideals of society, order, production, the media doctor should induce the student into the selfless lines of the ideal. Identity should be forged from ones role in a functioning society in ones influence of objectivity. All efforts to influence societies objectives can be labeled as media; channels of influence forged by media theory. Commanding social objectives the producer/DJ will provoke female responses that will proof the work showing that the DJ's social contributions are genuine. Also the females' idea of beauty will be influenced by the Dichotic Textual Object. She will be provoked to admit she wants the object to influence genius, homogeny influence heterogeneity, and she would be seen to sponsor the Turntable music event.
The object provides the standard form to be adhered to, certainly aesthetic, natural, beautiful, ideal, mixes should produce fibers celebrating the mix from track to track.
Beauty and the ideal depend upon expression, discovered, stored in text for mass consumption.
Beauty dependent upon both skill and aestheticism is championed in turntable music production.
One harmonizing with the turntable text will provoke a language or code system that will document cultural meme-gene co-evolution. (Semantically/Semiologically)
The object described as growing dichotic- -ally transforms the I of the player and audience member into id, ego and super-ego. Id self with no objective involvement, ego engaging with the object, the super-ego the construction of the object. The DJ should use his fidelity to convert his audience from id to ego.
The object reveals a life form that does not exist in our ecology but exists in the dialectics of the Iconic Prism Installation, concentration and abstract environment. (Abstract art will create an environment distinct from ecology.) The object is distinct from our ecology yet supports a life system in the installation. Media suggests that the audience member can be more sensitive to the object than the player/DJ .Media always caught in a political power paradigm, fidelity the substance of production of the super-ego.