The jewelling bullet technique or method is an exercise in the economical and ideological, an effort identifying that gravity has a direct effect upon all ecological life, not just iceburgs for example that exist 1/3rd's above water and 2/3rd's below water. The bullet moulded by taking paint onto a standard brush rolling the brush at a ratio of 2/3rd's of the size of the brush head , producing a bullet form on the brush that greatly improves the control of applying paint to a shape or to the priming of a canvas.
Using the bullet brush to prime a canvas will also provide an atavistic shell impression on the canvas arrived at via the work of the brush creating friction with the paint on canvas,the Shell logo illustrates the atavistic shell impression(see the geometry cept page). Further the work of priming the canvas with the bullet head bush will reveal a colour process activated by the producer in synch with the ecological atmosphere, his work will cause the atmosphere to create first a green fly then a red fly, a signal of the greater fidelity of the producer via his continued work. This process is commercially known as the colour coordination of Interference Green and Vermillion Red The bullet brush is essential in this process. The bullet brush should never be employed to represent without a structural basis or framework, cubism,geometry or projection. Trianing or schooling in the use of fomal ideology to represent should not present mal- practice or poor ethics, however.The bullet form does raise very serious discursive issues and debates on existence,mortality and power.
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