The Dragon/Producer

Signifier  An eleven length pattern frame suggesting a dragon and possession of the soul.

Signified  The producer is involved in production, the producer is involved via representation of himself. 

Sign  The producer will know himself via the automatic representation of his ideals and beauty. 

The nature of the producer does become the nature of the species, this is a process known as meme –gene co-evolution. Indexical representation is the evidence of mans' divorce from the beast.

The abstract reality of the dragon/producer argumentatively will promote a 12 space chromatic scale from a super-imposition onto the cubist form of the first character/music structure character.

It is media economy to allow people to view themselves informed by a creative perspective and also the more dynamic the producer, as an example of the species, the more ideal or beautiful the memory of the performance or functional dialectic, for humanity.

Removing all formalism from the installation will reveal an aesthetic, ideal and beautiful, the dichotic object exists in representation alone; measuring, the dragon, a creation of form/abstraction is exclusive to the musical genre of turntable music.

The producer must express himself or the others in society will never know themselves, ones identity is cultured therefore ones identity is best drawn from a display of power or recording/text. A sensibility does exist where identity can only be known via text.

Suggesting the presence of a producing body, the lesson of the Iconic Prism is that one's role in this universe is to produce what one imagines. Art describes a pull by the atmosphere inspiring one to represent, media calls for singular/uniformity; focus will provoke a style of abstract communication,media.

The dragon suggests the structural use of scale .The producer suggests form and a complete departure from the accidental, possessive; automatic the producer is real in the 1 ½ hour set comprised of many examples of the form (link to Iconic projection 001)

The producer establishes a medium, language, reliant upon the textual, the text revealing the production process.

The dragon/producer will not accept mixing without combustion or fibre, mixing interaction reveals the body of the producer and the aesthetic of the object. The producer should be tied to the object via lexicons. (Lexicon a vocabulary of terms used in connection with a particular subject.) (Transmogrification the subject and most meaningful character of the Installation will promote lexicons of the dichotic object converging with the lexicons of the player and audience member: Civilisation)

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